One thing about the type in the Zen Garden—it’s not treated beyond a fourth-grader’s crayoning abilities; no shadows, in-lines, outlines, fill variety, twisting, perspective, set on a bouncing line, or opaque over another object, much less in motion. If the web’s imaging language is going to call the mighty capabilities of digital outlines for display type all the way to the user’s PC, when will it be a worthwhile shift of rendering power?
[ Real Fonts on the Web: An Interview with The Font Bureau’s David Berlow, in A List Apart ]
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