Sangrail, a poem written by František Střížovský. Illustrated by Břetislav Štorm , via josefskrhola on Flickr.
Test your typographic kerning skills: http://type.method.ac/
16 Pixels for body copy. Anything less is a costly mistake.
As a farsighted web designer who routinely bumps up the text size on every single website, I beseech you, fellow designers, check out this article, or Wilson Miner’s excellent article on the subject, Relative Readability.
Stanton & Company, by OCD | The Original Champions of Design. This is one of the most perfectly kerned bits of type I’ve ever seen.
Unused Rand logo for Ford, via Paul-Rand.com :: Identity
That means Gotham went from a print-based library that included 7,520 individual characters (known as glyphs) to a web version that counted 47,778. That’s almost seven times as large as the original, and each one has to be carefully designed to operate at any size and a range of weight.
At the same time, the quality assurance process — testing each glyph in different circumstances to make sure it works properly — went from 74 individual tests for print through to 210 steps for the web. In total, the team at Hoefler & Frere-Jones had to commit to more than 90 million individual operations in order to make their foundry web-compatible.
Still from The Secret of Kells, 2010.
This movie looks amazing.
@jasonbentley just asked me if typewriters always had monospaced fonts. I didn’t know, but thought it was an interesting question.
Here’s a memo written on the first real typewriter, the Sholes & Glidden Type Writer. It uses a sans-serif typeface!
(Image via the Office Museum.)